1793-1856
Thomas Doughty (July 19, 1793 ?C July 22, 1856) was an American artist of the Hudson River School.
"Gilpin's Mill on the Brandywine" attributed to Thomas Doughty circa 1827Born in Philadelphia, Thomas Doughty was the first American artist to work exclusively as a landscapist and was successful both for his skill and the fact that Americans were turning their interest to landscape. He was known for his quiet, often atmospheric landscapes of the rivers and mountains of Pennsylvania, New York, New England, and especially the Hudson River Valley. He taught himself how to paint while aprenticing for a leather manufacturer. Related Paintings of Thomas Doughty :. | In Nature's Wonderland | Landscape after Ruisdael | Scituate Beach, Massachusetts | In Nature's Wonderland | Massachusetts | Related Artists:
Nils Hansteen(1855-1912) was a Norwegian painter.
Nils Hansteen was born in Mo i Rana, in the county of Nordland, Norway. He attended the painting school of Knud Bergslien from 1873 and Peder Thurmann Cappelen (1874-1975). He later studied under Hans Gude in Karlsruhe from 1876 to 1877. He then lived in Munich (1877-1880), Italy (1880-1881) and Copenhagen (1887-1892).
He was known principally as a landscape and marine painter. He painted in a naturalistic style, with motifs from marine and forest environments. Two of his paintings are owned by the National Gallery of Norway.
Henrique Bernardellipainted Portrait of the painter Pedro Weingartner in 1858 - 1936
Maratta, CarloItalian Baroque Era Painter, 1625-1713
was an Italian painter of the High Baroque period, active mostly in Rome. Born in Camerano, then part of the Papal States. He came as a boy of 12 to apprentice in the studio of Andrea Sacchi. Like Sacchi, his paintings have a classicizing tone, inspired by the works of the great painters from Parma and Bologna: Carracci, Guercino, and Lanfranco. He developed a close relationship with Sacchi till the death of his master in 1661. He worked alongside Francesco Cozza, and Domenico Maria Canuti in the decoration of the Palazzo Altieri. His first prominent work is an Adoration of the Shepherds for San Giuseppe die Falegnami in 1650. He came to establish one of the most prominent art studios in Rome of his time. Other major works are the The Mystery of the Trinity Revealed to St. Augustine (c. 1655) painted for the church of Santa Maria dei Sette Dolori, The Appearance of the Virgin to St. Philip Neri (c. 1675) now in the Pitti Palace of Florence, The Virgin with Saints Carlo Borromeo and Ignatius of Loyola and Angels (c. 1685) for the church of Santa Maria in Vallicella, and The Assumption of the Virgin with Doctors of the Church (1689) for Santa Maria del Popolo, . His numerous depictions of the Virgin earned him the nickname Carluccio delle Madonne (Little Carlo of the Madonnas). The style of Maratta is a classicized Baroque, more restrained and composed than the styles of Cortona and Carracci, thus more allied to the traditions of Sacchi, Albani, and Reni. He was one of the artists favored by Giovanni Bellori. Maratta was known for his insightful portraiture. In 1650, Maratta was introduced to pope Alexander VII, who commissioned many paintings including one of his greatest works, a painting of Constantine destroying the idols for the Baptistry of the Lateran. This work brought Maratta increased fame in the Vatican, and in 1704 Maratta was knighted by pope Clement XI. Other works include an altarpiece in the San Francesco Saverio Chapel of the Church of the Gesu, in the right transept. In 1679 or 1680, a daughter, Faustina Maratti Zappi was born to Maratta by a mistress,